Tintin Wiki

"Great Snakes!"

Tintin is a reporter, adventurer, traveler, and the protagonist of the popular comic book series The Adventures of Tintin, which was written by the Belgian cartoonist Georges Remi, better known as Hergé (1907–1983).


Tintin made his first appearance in Tintin in the Land of the Soviets (1929–1930) as a journalist reporting on the Bolsheviks of Soviet Russia with his loyal dog Snowy and soon evolved into an investigative reporter and crime-buster whose curiosity draws him into the dangerous circles of drug-traffickers and mercenaries. Tintin seems to be physically quite strong as he sometimes defeats criminals without much difficulty with punches and once easily broke a door in The Secret of the Unicorn.

Hergé never explicitly confirmed Tintin's nationality, but vaguely refers to him as Belgian and living in Brussels (the streets of Brussels are unmistakable in the backdrop of The Secret of the Unicorn and The Red Sea Sharks. Furthermore, in Tintin in Tibet, the address written on Chang‘s letter was "比國布魯塞爾", which means "Brussels, Belgium"). However, in Hergé's Adventures of Tintin, Tintin's home is located in New York and is supposedly American.

Hergé also never confirmed Tintin's age, but the comic books portray him as a young adult, cultured, worldly, and utterly responsible. In 1970, Herge was quoted as saying, "Tintin to me has not aged. What age would I give him? I don't know...perhaps seventeen? To me, he was about fourteen or fifteen when I created him, a Boy Scout, and he has hardly moved on. Allowing that he has put on three or four years in the past forty...good, let's agree on fifteen plus four, which would make him nineteen."[1]

In earlier adventures, Tintin and Snowy live alone in an apartment, but they eventually go on to stay in one of Captain Haddock's spare rooms at Marlinspike Hall, giving the impression that Tintin is old enough not to need the influence and presence of parents or school.

In The Secret of the Unicorn, Tintin's passport states his birth year as 1929, which was the year of his first appearance in The Land of the Soviets, estimating his age to be 15, while the official Tintin website states his age as between 16–18. Hergé uses a floating timeline in The Adventures of Tintin so that while the world ages around him, Tintin does not age.

Tintin is well-educated, intelligent, and selfless with morals that cannot be compromised. He is efficient and responsible, does not smoke and rarely drinks, and is athletic (he is seen doing yoga various times throughout the series, and does stretches and warm-ups in Prisoners of the Sun). He is a skilled driver of almost any vehicle, including tanks, motorcycles, cars, helicopters, and speedboats.

The final unfinished adventure, Tintin and Alph-Art, saw Tintin being led out of his cell to be killed, although it is very unlikely that he dies at the end of the story.


Tintin's personality evolved as Hergé wrote the series. Peeters related that in the early Adventures, Tintin's personality was "incoherent", in that he was "[s]ometimes foolish and sometimes omniscient, pious to the point of mockery and then unacceptably aggressive", ultimately just serving as a "narrative vehicle" for Hergé's plots. Hergé biographer Pierre Assouline noted that in the early Adventures, Tintin showed "little sympathy for humanity". Assouline described the character as "obviously celibate, excessively virtuous, chivalrous, brave, a defender of the weak and oppressed, never looks for trouble but always finds it; he is resourceful, takes chances, is discreet, and is a nonsmoker."

Michael Farr deemed Tintin to be an intrepid young man of high moral standing, with whom his audience can identify. His rather neutral personality permits a balanced reflection of the evil, folly, and foolhardiness that surrounds him, allowing the reader to assume Tintin's position within the story rather than merely following the adventures of a strong protagonist. Tintin's iconic representation enhances this aspect, with comics expert Scott McCloud noting that the combination of Tintin's iconic, neutral personality and Hergé's "unusually realistic", signature ligne claire ("clear line") style "allows the reader to mask themselves in a character and safely enter a sensually stimulating world."

To the other characters, Tintin is honest, decent, compassionate, and kind. He is also modest and self-effacing, which Hergé also was, and is the most loyal of friends, which Hergé strove to be. The reporter does have vices, becoming too tipsy before facing the firing squad (in The Broken Ear) or too angry when informing Captain Haddock that he nearly cost them their lives (in Explorers on the Moon). However, as Michael Farr observed, Tintin has "tremendous spirit" and, in Tintin in Tibet, was appropriately given the name Great Heart. By turns, Tintin is innocent, politically crusading, escapist, and finally cynical. If he had perhaps too much of the goody-goody about him, at least he was not priggish; Hergé admitting as much, saying, "If Tintin is a moralist, he's a moralist who doesn't take things too seriously, so humour is never far away from his stories." It is this sense of humour that makes the appeal of Tintin truly international.


These are the international names for Tintin

  • Afrikaans: Kuifie
  • Arabic: تان تان (Tàn Tàn)
  • Chinese: 丁丁 (Dīngdīng)
  • Dutch: Kuifje
  • Finnish: Tintti
  • German: Tim
  • Greek: Τεντέν
  • Icelandic: Tinni
  • Japanese: タンタン (Tan Tan)
  • Latin: Titinus
  • Persian: تن تن (Tan Tan)
  • Portuguese: Tintim
  • Korean: 땡땡 (Ttaengttaeng)/틴틴 (Tintin)/탕탕 (Tangtang)
  • Russian: Тинтин (Tintin)
  • Thai: ตินติน (Tintin)


"The idea for the character of Tintin and the sort of adventures that would befall him came to me, I believe, in five minutes, the moment I first made a sketch of the figure of this hero: that is to say, he had not haunted my youth nor even my dreams. Although it's possible that as a child I imagined myself in the role of a sort of Tintin."

Tintin is shown as a well-rounded yet open-ended character, noting that his rather neutral personality, odd given the evil, folly and foolhardiness which he encounters. His boy-scout-style ideals, which represent Hergé's own, have never been compromised by the character either. Tintin has a tendency to tie and gag people, is often shown enjoying doing this. Unlike other characters such as Captain Haddock or Professor Calculus, Tintin has no discernible backstory. Unlike Haddock and Calculus, Tintin's roots prior to Tintin in the Land of the Soviets are never discussed. His companions encounter old friends such as Captain Chester or Hercules Tarragon, yet Tintin only meets friends or enemies whom he met in previous adventures. At the end of Tintin and Alph-Art he is to be turned into a Cesar. Although is seems very unlikely that he dies, his fate is still left unknown.

Physical Appearance

Although Tintin's physique has had various changes overtime, there are a three predominant factors of him that have always remained ever since his debut. Tintin has been depicted as a young male with short ginger hair accompanied by a signature quiff and has black dot eyes like many other characters. In the earlier titles and older editions of the books, he had a very literal ball-shaped head, a long nose, no eyebrows most of the time, and was shorter than most other characters. However, as the series progressed, Tintin's head became less like that of a literal sphere, had his nose shortened, became taller and generally had more realistic human proportions.

Tintin has worn many different clothes throughout the installments, but his most iconic outfit consists of a white collared shirt underneath a blue crewneck jumper, a pair of brown plus-fours (later causal trousers), white or black socks, and brown loafers that are fastened by either laces or buckles. He also frequently wears either a beige trench coat over this outfit or a brown blazer.

In 2011 motion-capture film, Tintin had pale complexion and his eyes are turquoise green. In the mystery of the Unicorn found at the globe in Marlinspike Hall, he wore white shirt, black necktie, sunshine yellow V shaped necked sweater vest, brown jacket and plus fours, black socks and dark brown shoes.

Titles in the Tintin Comic Series

  1. Tintin in the Land of the Soviets (1929–1930)
  2. Tintin in the Congo (1930–1931)
  3. Tintin in America (1931–1932)
  4. Cigars of the Pharaoh (1932–1934)
  5. The Blue Lotus (1934–1935)
  6. The Broken Ear (1935–1937)
  7. The Black Island (1937–1938)
  8. King Ottokar's Sceptre (1938–1939)
  9. The Crab with the Golden Claws (1940–1941)
  10. The Shooting Star (1941–1942)
  11. The Secret of the Unicorn (1942–1943)
  12. Red Rackham's Treasure (1943–1944)
  13. The Seven Crystal Balls (1943–1948)
  14. Prisoners of the Sun (1946–1949)
  15. Land of Black Gold (1939-40, 1948–1950)
  16. Destination Moon (1950–1953)
  17. Explorers on the Moon (1950–1954)
  18. The Calculus Affair (1954–1956)
  19. The Red Sea Sharks (1958)
  20. Tintin in Tibet (1960)
  21. The Castafiore Emerald (1963)
  22. Flight 714 (1968)
  23. Tintin and the Picaros (1976)
  24. Tintin and Alph-Art (1986, 2004)





Tintin is shown to have a little trickster side to his normally gentlemanly manner. In The Crab with the Golden Claws, he meets Thomson and Thompson (Dupond et Dupont) at a restaurant where they order beer. Thompson and Thomson each slap Tintin on the back in a greeting. As they take a sip of their drinks, Tintin slaps both of them on the back while saying, "And nice to see you too, my dear old friends!"

  • Tintin is very intelligent. he could build propellers, [land of the soviets] and also cars!
    • Tintin also shows a side of deviousness when it comes to some things: In Tintin in America he calls out "Hey, fellas! Do you know how to call the police without a telephone? Well!" He then fires several shots off from the gun he is holding while laughing like a maniac.
  • Tintin and Cole Phelps (from L.A Noire) have a lot in common.For example they had similiar hair styles, they were both young and strong, they were both solving crimes in 20th century and they were both working with/for the police.
  • In Japan, Tintin is renamed as "Tantan" because his original name is a slang word for male genitals in the country.


  1. Tintin: The Art of Hergé, pg. 177. Trans. Michael Farr. Abrams Comicarts and Éditions Moulinsart, 2013.